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Oona Doherty Specky Clark

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A group of people dance expressively in a dark, red-lit setting. One person in the foreground wears a mask, while others move energetically in the background.

Venture back in time, where personal history meets Irish mythology.


Part fictional, part biographical; all elements overlap. The line between what is myth and what is reality blurs. This new show will follow the story of Oona Doherty’s Great Great Grandfather Specky Clark and his arrival in Belfast. It unravels as a series of theatrical images and is brought to life by an international cast of nine dancers.

On Oona’s father’s side there is a history of working in Belfast’s abattoir and of owning pigs in the back garden tracing back to the 1940’s. Along with a long history in the docks. On the other hand, her mother’s family owned a butcher’s shop in Belfast. For Oona there is something in the meat of her. There is a pink fleshy vulnerability. There is a violence.

Specky Clark features music composed by Maxime Fraisse which combines new and existing scores from Irish band Lankum. Irish playwright Enda Walsh is dramaturg, Sabine Dargent is scenographer, and long-time collaborator John Gunning is lighting designer.

Read the surtitles text here (spoilers within)
Read the freesheet here

Supported by Cockayne Grants for the Arts, a Donor Advised Fund, held at The Prism Charitable Trust.

Header image description: A group of people dance expressively in a dark, red-lit setting. One person in the foreground wears a mask, while others move energetically in the background.

Header image © Luca Truffarelli

Nearest tube is
Angel

This type of performance is like a breath of fresh air
DANSER CANAL HISTORIQUE

A surreal, darkly comic journey
FINANCIAL TIMES

My own personal myth. A dark and primal sound drags us kicking and screaming into an alternative reality. A place the mind can only reach through grief. Held in the arms of Ireland.
OONA DOHERTY

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